Five years ago, Jackson Browne appeared as a guest star in an episode of "The Simpsons." In an effort to seek his wife's forgiveness, Homer throws a party for Marge and books Browne as the entertainment.

Sitting at the piano, the singer announces to a yard full of guests: "I'm here to serenade you with a song" — a loud cheer pierces the night air — "from my latest album." That, of course, brings a collective groan. "Just kidding. Here's one of my many classics."

The scene underscores an all-too-familiar feeling for any veteran artist. It wouldn't be a Jackson Browne concert if he didn't hear shouts coming from the audience, as in: " 'The Pretender!' 'Running on Empty!' 'Doctor My Eyes!' "

Now 60, Browne recorded his first album in 1972 and is touring to promote his 17th, "Time the Conqueror." It's his first studio recording in six years and his first studio album for the label he founded, Inside Recordings.

"They've got me pretty busy, but it's fun. I'm having a great time," he says by phone from Los Angeles, where he had flown from the Midwest and would leave the next day to resume his tour in North Carolina.

On the cover of "Time the Conqueror," Browne sports a beard flecked with gray. He sees the record as acceptance that "life is temporary. The acceptance of that brings a lot of gifts. You don't have forever, so you have to come to the point."

What ensues is a highly energetic album with songs shaped by a band whose oldest members began playing with Browne 15 years ago. Its newest performers are a pair of background vocalists, Chavonne Morris and Alethea Mills, women in their early 20s who are graduates of an inner-city school in Los Angeles that brims with talent.

The album is a clever interweaving of the personal and the political, including "The Drums of War"; "Where Were You," which probes President Bush's response to Hurricane Katrina; and "Going Down to Cuba," whose subtlety is driven home through humor.

Long known for his activism, Browne is mentioned in a new song by Randy Newman, titled "A Piece of the Pie": "Jesus Christ, it stinks here high and low/The rich are getting richer, I should know /While we're going up, you're going down/No one gives a (expletive) but Jackson Browne."

Browne loved it. "It's a very funny thing to say," he says, noting that Newman sent it to him before he recorded it. "It was like getting a shout-out from your hero." Browne chuckles about the reviewer who once wrote of his career: "Has there ever been an album where somebody doesn't die?"

His melding of the personal and the political is nothing new. He wrote one of his signature songs, the moving ballad "These Days," when he was only 16. It's one of many that chronicle his life's journey, including his political activism. As he once told an interviewer: "What's more personal than your political beliefs?"